Yearly Archives: 2013

Creative strategies of sustainability” for cultural workers, sept. 9th – 14th 2013, Berlin

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A week of debate and action around the theme “Culture and sustainability”, and more specifically about “Creative strategies of sustainability for European art centres”.

This week programme for cultural operators proposes a common reflection and a time of intense experiences sharing around the potential “strategies of sustainability”. The seminar will be composed by six full-days of activities including workshops, lectures, exploring sustainable places and projects in Berlin, initiation about straw bale building, artistic expression, and social interaction.

For 20 cultural workers the costs for travel and accommodation will be covered. Please send an email to csos@ufafabrik.de and you will get the application form. The deadline for applications will be the 14th of june 2013.

This seminar is a production of the ufaFabrik Berlin in the frame of Engine Room Europe:

“Engine Room Europe is a three-year programme (April 2011-May 2014) of activities dedicated to independent cultural workers and their creative processes. It is initiated by Trans Europe Halles (TEH) and co-ordinated by Melkweg (Amsterdam, The Netherlands) in association with 10 co-organizing TEH members. More information: www.teh.net

CSOS 13 Invitation

CSOS 13 application

csos invitation info

A Greener Fringe for Edinburgh: The CSPA and Creative Carbon Scotland team up with the List on Major Award

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Applications are now opened for consideration for the 2013 Fringe Sustainable Production Award, designed to reward sustainable practice in the production of an Edinburgh Festival Fringe show. Productions are invited to engage their audiences with sustainability, take responsibility for their environmental impacts, and think big about how the arts can help to grow a sustainable world. Entries are invited from companies until 18 August, with shortlists announced on 5, 12 & 19 August and the final award being made on Friday 23 August in a ceremony at Fringe Central.

“We believe artists and cultural organisations are uniquely placed to address the challenges brought on by climate change through the art they produce,” says Gemma Lawrence from Creative Carbon Scotland,”The audiences they speak to and the way in which they operate. This major award celebrates action being taken by artists and companies to use the form, content and framing of their work to engage with climate change during the Festival Fringe.”

This year, for the first time, a review of every shortlisted production will be published in The List and The List will also cover the shortlisting events. The winner will receive a special feature and coverage in the Center for Sustainable Practice in the Arts’ Quarterly Magazine.

The Fringe Sustainable Production Award celebrates the best in environmentalism on the Edinburgh Fringe, and highlights the different exciting approaches Fringe productions are taking to sustainability. We’re inviting all Fringe productions – whether they’ve just started thinking about recycling or whether they’ve been bike-powering venues for years – to apply for this high profile award, and to tell us the new ideas and new ways they have for engaging with sustainability

The award for Sustainable Production on the Fringe was first launched in 2010 at the Hollywood Fringe and Edinburgh Festival Fringe. Previous recipients include:  The Pantry Shelf (Edinburgh 2010), a satirical comedy that takes place in any ordinary pantry shelf, produced by Team M&M at Sweet Grassmarket; Presque Pret a Porter (Hollywood 2010), produced by Dreams by Machine; and Allotment (Edinburgh 2011) by Jules Horne and directed by Kate Nelson, produced by nutshell productions at the Inverleith Allotments in co-production with Assembly. Last year recipients were D is for Dog by Katie Polebaum and the Rogue Artists ensemble, directed by Sean Calweti (Hollywood 2012) and The Man Who Planted Trees (Edinburgh 2012) adapted from Jean Giono’s story by Ailie Cohen, Richard Medrington, Rick Conte and directed by Ailie Cohen, produced by the Edinburgh’s Puppet State Theatre.

Ian Garrett and Miranda Wright founded the CSPA in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others.

“The purpose of this award is not just to recognize the greenest production. Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us. The fringe model provides an ideal platform to introduce these ideas,” says Wright, “The CSPA is not just another ‘go green’ organization. We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.”

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre andScottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

  • Changing their own behaviour;
  • Communicating with their audiences;
  • Engaging the public’s emotions, values and ideas.
  • Engage arts organisations and stakeholders in promoting environmental sustainability;
  • Provide support for arts organisations to be at the forefront of shaping an environmentally sustainable Scotland;
  • Support arts organisations, artists and audiences to be as environmentally sustainably as possible.

Why sustainable practice in the cultural sector?

Like all sectors, the cultural sector faces risks from climate change and the legal, social and economic changes it will bring. Much more than many other sectors, arts and cultural organisations have huge potential to provoke crucial public behaviour change. We believe cultural organisations are uniquely placed to address the challenges brought on by climate change through the art they produce, the audiences they speak to and the way in which they operate themselves.

CONTACT: Ian Garrett – fringe@sustainablepractice.org – US 818-687-6655 – UK 0759 744 1915

MORE INFO:
CSPA Fringe Initiatives: https://www.sustainablepractice.org/programs/fringe/
2013 Edinburgh Festival Fringe Questionnaire: http://bit.ly/cspafringe13
Creative Carbon Scotland: http://www.creativecarbonscotland.com/