Yearly Archives: 2013

Proposals for creative art+science, participatory and open environmental education in the Gulf of Finland / Baltic Sea Region

This post comes to you from Cultura21

800px-Record_sea_ice_in_Gulf_of_Finland_2003_bw_660x440PROPOSALS FOR CREATIVE ART+SCIENCE, PARTICIPATORY, AND OPEN ENVIRONMENTAL EDUCATION IN GULF OF FINLAND / BALTIC SEA REGION

Six proposals are introduced below for creative art+science, participatory and open approaches to environmental education and awareness in the Gulf of Finland Year 2014- / Baltic Sea region. They were first presented by Andrew Gryf Paterson at the Gulf of Finland Year Trilateral Environmental Education seminar, Tallinn, 28.2.2013, and are part of an ongoing dialogue and cooperation with Russian NGO Friends of the Baltic, based in St. Petersburg.

The aims of the proposals are to invigorate previous cultural association and environmental NGO work in the region, including recent Luonto-Liitto -led Itämeri-lahettilas toiminta (Baltic Sea Ambassadors activity); promote the role of trans-disciplinary collaborations, open solutions and systems-thinking; connect younger and experienced generations of environmentalists, combine old+new commons perspectives; and insist on ecological conservation+knowledge sustainability. It is also hoped they contribute to expanding the scope of the emergent Open Sustainabilitymovement, by integrating OpenGLAM (in Finland) and Open Education Resources initiatives.

 

  1. Create new educational materials with participants, using creative participatory methods, for example using ‘sprint’ model, i.e. doing things fast, together, during the 2-3 days camps organised by trilateral environmental NGOs.
  2. Offer creative art-science workshops in cooperation with trilateral environmental NGOs, based on shared-interests, for example ecological, river-water basin, agriculture and renewable energy issues, etc.
  3. Educational training/mentorship for Environmental NGOs in Gulf of Finland / Baltic Sea Region to learn more about Open -Data, -Education, -Sustainability, and -GLAM (Galleries, Libraries, Archives & Museums, ie. Culture)
  4. Make accessible previously-made educational materials in digital formats, including graphics, diagrams, texts, and other data by negotiating with makers/copyright holders. This can be a selection from over a period of years, or a particular project or publication. Can be done in stages, testing & getting feedback in the process of what is useful and needed.
  5. Contribute media (photos, videos, audio interviews and commentary) to commons-oriented repositories which promote open access, sharing and download of media materials.
  6. Investigate & implement peer-to-peer ecologically sustainable ICT solutions for sharing materials.

If you are interested to contribute to the proposals, see elaboration, or add constructive comments, visit the related etherpad document.

Contact: Andrew Gryf Paterson | andrew [-at-] pixelache.ac

Note: Paterson, in addition to working for Pixelache, is also a member of Finnish Bioart Societysince 2011, and a new member of Open Knowledge Foundation Finland since 2013.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Internaturalism

This post comes to you from Cultura21

Collective exhibition, 8 May – 29 September 2013, and international symposium, 8 May, at PAV (Via Giordano Bruno 31, Torino, Italy)

On Tuesday, 7 May 2013, at 6.30 pm, the PAV will open the collective exhibition Internaturalism, curated by Claudio Cravero. The exhibition aims to investigate some of the research and practice of the branch of contemporary art generally known as “ecological art” or “Bioart”, demonstrating the links and connections to current ecological debates. The works of art on show in Internaturalismassume an essential role as vehicles of social understanding of the world around us, and succeed in constructing concrete meaning from often abstract issues related to the environment and ecological drift (from loss of biodiversity to pollution and global warming). Emerging from the works of the sixteen artists in the exhibition are visions and narratives of nature that coincide with the concept of “internaturalism”, namely the capacity to imagine a hybrid between the different meanings of nature, understood not only as the common good of humanity but of all living beings.

The exhibition

Among the works on display is Perpetual Amazonia, an environmental video installation by Lucy + Jorge Orta. Commissioned in 2010 by the Natural History Museum in London, it is the narration through images and prose of an expedition undertaken in the Peruvian rainforest. The study of nature is also explored from an ethological point of view in the work of Henrik Håkansson, through a video-documentary that examines the behaviour of insects and birds. Addressing similar themes are 108, Luana Perilli’s living installation that consists of a domestic scene featuring everyday objects and a colony of ants; Colombaia mobile (Mobile Pigeon Coop) by Filippo Leonardi, a housing structure that connects two spaces through the use of carrier pigeons and, finally, Laurent Le Deuff’s sculpture in the park which is based on the underground tunnels drawn by moles. The relationship between man and nature with regard to the common cellular and organic matrix that combines living beings and the environment is also explored in the exhibition, for example in the interactive installation Bio-acqua by Piero Gilardi or in the biological processes analyzed in a mining cave by Andrea Caretto and Raffaella Spagna. Through Brigitte de Malau’s ritual performance and the work on seeds waste by Norma Jeane, Internaturalism also explores the land and the nutritional habits connected to it. Last but not least, some of the works in the exhibition intend to trigger an awareness of the typical behaviour of the homo consumer, actions aimed at the commodification of nature and of the profits related to so-called bio trade (as in the work New Alliances by CAE|Critical Art Ensemble and in the light installation Shelf-life by Uli Westphal). A series of cultural reflections on the theme of language completes the exhibition. In this regard, the results of the workshop Segni d’incontro (Signs of meeting) conducted by Nja Mahdaoui and Agostino Ferrari are presented, as well as Mixture of Plants by Gabriella Ciancimino. Ciancimino’s work is installed in the courtyard and consists of a sound apparatus through which a conversation between the artist and Christian Berg, scientific head of the Botanical Gardens of Graz, is heard.

As part of the exhibition, the Educational and Training department of the PAV, curated by Orietta Brombin, will host Rerum Naturae, a programme on the role of man in relation to natural phenomena; Cultivating Signs which addresses the issues of exchange and relationships andDelicatessen, or edible matter as an artistic medium. In terms of training for adult audiences, onFriday, 31 May, Saturday 1 June and Sunday 2 June, Andrea Caretto and Raffaella Spagna will lead Workshop_33 / Back and Forward_Colonization_02, a collective and immersive activity based on housing and work as methods to explore a place.

The Symposium

On Wednesday 8 May, from 10 Am to 6 Pm, at the Casa del Teatro Ragazzi, the PAV will host a symposium entitled Internaturalism, dedicated to debates around the theme of nature. The conference will analyse the theme of nature from multiple perspectives (aesthetic, ethical, anthropological and artistic). For more details about the symposium: click here to download the PDF file.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Collins & Goto at the Edinburgh Art Festival

This post comes to you from EcoArtScotland

Eden3, Collins & Goto, 2006 ongoing

Eden3, Collins & Goto, 2006 ongoing

ecoartscotland is pleased to partner with Creative Carbon Scotland and Edinburgh College of Art to present Collins & Goto’s Spirit in the Air at the Edinburgh Art Festival 2013.

Collins & Goto, the eminent US ecological artists now based in Scotland, will present new work, using the Tent Gallery as a base of operations and performance to explore the actual rate and flow of CO2 in the environment in Edinburgh.  This project asks the question If humans produce gas in cities and there are no trees around to breathe it, does anyone care?

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Seminar on how to manage more sustainable cultural centres

This post comes to you from Culture|Futures

 

Think green: Invitation to Creative Strategies of Sustainability in ufaFabrik

Think green: Invitation to Creative Strategies of Sustainability in ufaFabrik

A week of workshops and common reflection on the theme ‘Creative Strategies of Sustainability for artistic and cultural centres in Europe’ is organised in Berlin, Germany, in September 2013, to give cultural workers new inspiration concerning how to build and manage more sustainable cultural centres.

9–14 September 2013

‘Creative Strategies of Sustainability’ is a week of debate and action around the theme Culture and sustainability, and more specifically on the Creative strategies of sustainability for artistic and cultural centres in Europe.

ufaFabrik in Berlin has always been engaged on the path of sustainability and green energies. In September 2013, they organise for the second time this week-long programme for cultural operators, which proposes a common reflection and a time of intense experiences sharing around the potential “creative strategies of sustainability” that the participants might initiate for their own centres.

Composed by six full days of activities including workshops, lectures, exploring sustainable places and projects in Berlin, initiation about straw bale building, artistic expression, social interaction and more, it will be a unique opportunity for exchange, discussion and discovery of some practical examples of existing practices.

The seminar 2013 will be a mixture out of the “Best of 2012” programme and new challenging inputs and actions. A limited number of people who joined the seminar 2012 are welcome.

The number of participants is limited to 20 people. For the participants all travel and accommodation costs will be covered. There might be a small fee for food (related to the financial standards in your home country) and extra costs (upgraded hotel standard).

If you are interested, you can send an email to csos@ufafabrik.de or fill in the application formand send it by the latest of 28 May 2013.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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