Yearly Archives: 2012

NOMADS Mix It Up, Make It Up On Human Rights Day

The NOMAD Lab Art Project for children celebrated Human Rights Day on December 10 by envisioning a world – real or imagined – that they would like to live in. Multimedia artist Kenyatta A.C. Hinkle and musician/composer Kevin Robinson led the event, held in an apartment complex at the Valle del Oro Neighborhood in Santa Clarita, CA., where the children live.  The Trailer Trash Project organized the event in collaboration with NOMAD Lab founder Evelyn Serrano, who uses art to encourage children to work together build a peaceful, tolerant multi-cultural neighborhood.
Musician/Composer Kevin Robinson with NOMAD kids

Tenor Saxaphonist Kevin Robinson, who is a firm believer in the power of music to heal, demonstrated how the sound that comes out of his instrument is influenced by his stance, breath, emotions – even the rate of his beating heart.  He showed how musical instruments can be fashioned from found objects such as hat stands, lamp stands and shades. Even the voice, hands and feet can be effective instruments, he said. A lesson in learning about how the music becomes one with your body came with Kevin encouraging the kids to clap their hands to a set beat, while he riffed and a NOMAD kid repeated sounds to a tune.This winter, the Kevin Robinson Ensemble (KREation) will be on tour in New York City and Baltimore this Winter (see dates)

For her part, Kenyatta A.C. Hinkle recounted tales from her Kentifrica homeland, providing maps and drawing of the people who live there and the instruments they play.  She encouraged the NOMADS to draw maps of their own home country (real or imagined) and then asked them to describe what life was like there.

Artist Kenyatta A.C. Hinkle's shows her portrait of a fellow citizen of Kentifrica to kids with the NOMAD Lab Art Project

Kevin Robinson, Kenyatta A.C. Hinkle and the NOMAD Lab Art Project collaborate with Sam Breen’s Trailer Trash Project in its mission to foster creativity and a sense of community through a program of art performances, exhibits and residencies in local Los Angeles neighborhoods.

NOMAD Lab founder, artist and CalArts faculty member Evelyn Serrano

In recognition of Human Rights Day, two international human rights lawyers based in Geneva, Switzerland joined the group.  Tom McCarthy and Anna-Lena Svensson McCarthy who were in California on a family trip, provided an opportunity to explain to that shelter is a human right.

Everyone has the right to a standard of living adequate for the health and well-being of himself and of his family, including food, clothing, housingand medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond his control.” (article 25(1))  Universal Declaration of Human Rights

Thanks to Whole Foods of Valencia and  Steve’s Valencia Florist for their donations. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Aardwerk: PDC course in 2012

This post comes to you from Cultura21

Netherlands (Special Municipality of Sint Eustatius)
Aardwerk: PDC course in 2012

For the time from the 1st of May to the 21st of May 2012, Aardwerk offers an international PDC course in a remote place, so that participants are able to see their environment in a new way. Instead of offering ready-made solutions, the course enables its participants to face the everyday challenges as well as the long term challenges they are faced with through their own strenghts and the collective intelligence of the group. The courses aim is to provide a new way of thinking: Rather than seeing problems, participants will be able to see opportunities.
Creative teaching methods and lots of practical field work will be part of the course. In the end graduates will receive the internationally recognised PDC certificate, which opens all possibilities for further work concerning permaculture.
There is the offer of several volunteer positions at local organic farm and nature management projects, for participants who would like to stay longer.
Benefits for participants is the development of skills throughout the course, among others the following ones:

  • greater food sovereignty
  • food and drinking water security & quality assurance
  • more efficient use of natural resources
  • energy security
  • more sustainable an resilient community life
  • practical community development & social cohesion
  • teaching traditional culture, knowledge & skills
  • more autonomy and security in essential services, products and materials
  • ways of social organisation that suit your own community’s needs and abilities

Participants will learn that following the patterns of Nature is  more satisfying and rewarding than e.g. switching Nature off and taking on the burdens of providing ecosystem services.
Furthermore the participants will contribute their share for Statia in terms of climate forest, local food security, healthy economic development and cultural enrichment.
The detailed programme, information about the location and the teachers can be found on http://aardwerk.org/school/international-pdc-2012/
Registration will be open from 1 December 2011 till 1 April 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

A Time-Lapse Map of Every Nuclear Explosion Since 1945 – by Isao Hashimoto – YouTube

This post comes to you from EcoArtScotland

This was posted by Wendy Osher to the ecoartnetwork.org recently.

Japanese artist Isao Hashimoto has created a beautiful, undeniably scary time-lapse map of the 2053 nuclear explosions which have taken place between 1945 and 1998, beginning with the Manhattan Project’s “Trinity” test near Los Alamos and concluding with Pakistan’s nuclear tests in May of 1998. This leaves out North Korea’s two alleged nuclear tests in this past decade (the legitimacy of both of which is not 100% clear).

Each nation gets a blip and a flashing dot on the map whenever they detonate a nuclear weapon, with a running tally kept on the top and bottom bars of the screen. Hashimoto, who began the project in 2003, says that he created it with the goal of showing”the fear and folly of nuclear weapons.” It starts really slow — if you want to see real action, skip ahead to 1962 or so — but the buildup becomes overwhelming.

http://www.ctbto.org/specials/1945-1998-by-isao-hashimoto/ 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

New metaphors for sustainability: teenaged sex, Tatiana’s ‘Weather Speech’ and advice to the dude

This post comes to you from Ashden Directory

Bill & Ted’s Excellent Adventure. Photo: Copyright 1989 Metro-Goldwyn-Mayer Studios Inc.

Solitaire Townsend, co-founder and director of Futerra, the sustainability communications agency, draws on sex, Shakespeare and the party spirit for three new metaphors for sustainability

I’ve heard hundreds of definitions and metaphors for sustainability. For a decade my company Futerra has been communicating this precious, complicated, simple idea in communities, through brands and across continents. So I’ve picked three favourite metaphors which sandwich the sublime between two moments of the ridiculous.

The first is courtesy of my co-founder at Futerra the guru, professional comic and activist Ed Gillespie. This one comes with humour warning…

“Sustainability is like teenage sex. Everybody says they are doing it, but very few actually are. And those which are doing it – are doing it wrong.”

Ed loves opening conference speeches with that one.

The second isn’t really a metaphor but rather a poetic description of climate change. It’s the famous ‘Weather Speech’ by Titania from Shakespeare’s A Midsummer Night’s Dream (Act 2, Scene1):

The winds, piping to us in vain,
As in revenge, have suck’d up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch’d his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain’d a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men’s morris is fill’d up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter cheer;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems’ thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.

That in the 1590’s Shakespeare wrote the most chilling description of climatic upheaval inspired Ed and I to shoot a short film of the speech. Called ‘The Season’s Alter’,  it stars a young Keira Knightly.

The final example is my most often used. When asked to define or explain sustainable development I don’t call upon the great Bard, but rather upon Bill S. Preston, Esquire and Ted Theodore Logan:

“Be excellent to each other, and party on dudes.”

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

TippingPoint Newcastle

This post comes to you from EcoArtScotland

Image from Tipping Point web site

Tipping Point have announced their next gathering and have an open application procedure for some places for artists and academics.

“TippingPoint, in partnership with Newcastle Institute for Research on Sustainability (NIReS), will be holding a major national gathering of those concerned with the interface between the arts and culture on one hand, and environmental issues, particularly climate change, on the other.

Our aim is to continue and strengthen the vital process of giving the urgent challenges of climate change and sustainability a cultural and artistic voice.  This will be a rare opportunity to step outside day-to-day work and engage with innovative peers from across many disciplines, using presentations, panel discussions, group exercises and creative projects.  Our ultimate aim is to help stimulate radical and imaginative thinking in wider society, as we all attempt to comprehend, mitigate and prepare for our inevitably changing environment.”

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Corporations, Climate and the UN

This post comes to you from EcoArtScotland

A significant report from the Polaris Institute on corporate influence, documenting the ways that lobbyists infiltrate UN climate change negotiations.

Parallel with PLATFORM‘s work on challenging the ‘social license to operate’ culture, including the recent publication Not If But When, Culture Beyond Oil.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Innovation, The Kaleidoscope Video

This post comes to you from Engage by Design

What is the Kaleidoscope Project?

Interviews and conversations with experts on sustainability, design and innovation, reflecting theory and generating actions between a diverse range of disciplines including design [product, fashion, graphic, web, architects and interiors], science, art, activists, business, psychology and academia.

The 5 Kaleidoscope Videos, split into four different values; Balance, Meaning, Innovation and Culture. During each interview we asked how each value is seen and practised today and how they should be practiced in order to move towards a better future. The last video focuses on the tools and skills that we need to get to that better future, acting as a call to arms for designers and professionals about the need for rethink the way we practice our disciplines.

This short film is about Innovation.

 

Engage by Design is a social enterprise developed through the final Master research of Rodrigo Bautista and Zoe Olivia John in sustainability and design. As a consultancy they specialize in strategic interventions that aim to support the transformation of your product or service into a more sustainable one.

Engage by Design’s research arm intends to act as a platform which enables dialogues and actions between a diverse range of disciplines around sustainability and design.

Rodrigo Bautista – Rodrigo is an Industrial Designer and has worked in many different industries including media, products, services and telecommunications. Today his work focuses on strategic interventions and tools to apply sustainability and design instruments within a company.

Zoë Olivia John – Zoë’s background in Fashion & Textiles has lead her into the research and development of better ways to integrate learning about sustainability for Higher Education students and tutors, particularly within the F&T programme. She is interested in finding new ways to readdress our value structure from one of linear economic quantity to one of circular quality.

Go to Engage by Design

Sustainability in Theater Conference: People, Planet, Profit, Purpose

April 30 – May 1, 2012

Minneapolis, Minnesota

A blended conference dedicated to providing tangible, practical strategies to implementing greener theater practices, ensuring theaters remain a vital part of our community.


Early bird discount through December 31
Discounts for members of MTA, TCG, and CSPA
Register now
Sponsor the SIT Conference
Make a donation

Day One: Learn

A full day of learning and networking, featuring sustainability experts, sustainability in theater pioneers and success stories. If you don’t live nearby, all Day One activities will be broadcast online. By attending virtually, you can save money, time, and carbon emissions. We will take full advantage of social media to allow virtual attendees to participate, connect and network.

Speakers and facilitators will cover four focus areas:

  • People (stakeholders)
  • Planet (environmental impact)
  • Profit (keep the doors open)
  • Purpose (artistic vision and values)

All feeding into the question “How can we tangibly change the way we run our theaters to ensure we survive and have a significant positive impact on our environment and community?”

Presenting organizations include:

  • Broadway Green Alliance (New York): helped convert 97% of Broadway’s marquees to LED technology
  • Center for Sustainable Practices in the Arts (Los Angeles): working on SHOPLAB, a materials reuse and sharing facility
  • York University (Toronto): developing the Theatre Artisans Green Skills forum
  • Mo`olelo Performing Arts Company (San Diego): published the Green Theater Choices Toolkit
  • Childsplay (Arizona): host of the Sustainability in Stagecraft conference, 2009
  • Earth Matters on Stage: presenter of ecodrama playwrights festival and symposium
  • Center Energy and the Environment: providing practical, innovative, energy solutions for homeowners, businesses, nonprofits, and government

Day Two: Do

Presentations will focus on local resources available in Minnesota. Participants will break off into separate sessions based on their roles in their organizations and with the help of conference facilitators will work on specific challenges and problems they encounter in their work. The goal of the sessions will be to produce tactics for tackling these challenges, to be published and shared with every attendee. We encourage communities outside Minnesota to organize their own local working sessions.

  • Meet like-minded and like-titled individuals to share best practices and strengthen your network.
  • Learn ideas, case studies and tactics for building a sustainable organization.
  • Address common sustainability challenges theaters and professionals like you are tackling now.
  • Gather an arsenal of practical, immediate tactics that can help you spur change in your organization and celebrate small successes right away.

Presented by the Minnesota Theater Alliance and the Twin Cities Sustainable Theaters Group
Hosted by Brave New Workshop

The SIT Conference Task Force
John Bueche, Bedlam Theatre
Leah Cooper, Minnesota Theater Alliance
Kat Duvic, Brave New Workshop
Erin Farmer, Brave New Workshop
Ian Garrett, Center for Sustainable Practices in the Arts
Todd Hintz, Guthrie Theater
Elena Imaretska, Brave New Workshop
Ellen Jones, Bemidji State University
Jenna Papke, Minnesota Theater Alliance
Jill Underwood, Guthrie Theater
Alicia Wold, CostumeRentals

In partnership with Theatre Communications Group and
Center for Sustainable Practices in the Arts


Scientific evidence from Cambridge University!

We, at Arcola Theatre were thinking about getting an “air curtain” for our front door. An “air curtain” is when you have hot air blowing from above the door frame, to maintain the temperature inside although the door to the outside is open. Now we decided to close the door instead, after reading that this would cut 10 tonnes of our annual CO2 emissions. For more information about this research, look up “Close the Door” Campaign.

Go to Arcola Energy