Yearly Archives: 2011

H20: The Art of Conservation – Artist Talks

This post comes to you from Green Public Art

H20: The Art of Conservation

Evenings in the Garden – Artist Talks begin on Wednesday, July 27, 2011 from 5:00-7:00pm

Register by email info@thegarden.org or call 619-660-0614

Participating artists include:

Christopher Puzio

Bociek & Bociek

Benjamin Lavender

Terri Hughes-Oelrich

Dia Bassett

Artists will discuss their inspiration, materials they chose to use and give the audience a deeper insight to their individual art practice.

 

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

New metaphors for sustainability: the sailboat

This post comes to you from Ashden Directory

We continue our series of New metaphors for sustainability with the sailboat, suggested by James Marriott, artist, activist, member of PLATFORM. 

The boat for me is a very powerful metaphor. Sustainability is a rather grey and unclear term, but if it means anything, it means that we have to live with the finite resources of the earth. We have to deal with this in our generation and pass it on to future generations.

It is this sense of the finite capacity that I find interesting and comes to me through the experience of boats. I mean boats which are driven by sail and by oar – that use the motive power of the wind and the tide captured through wood and flax and hemp and use that to move from ‘a’ to ‘b’.

I’ve been learning to sail, and it’s been a wonderful experience. It makes you extremely aware of the forces of nature – it makes it very intimate. You’re at the mercy of the winds. You have to work with the tides – the skill comes from using whatever is there, that finite amount of power.

The finiteness, too, comes from the space of the boat itself. You have to pack everything in it that you might need or want. The boat frames my needs and desires about where I can go and how long it’s going to take me.

It concentrates the mind about the nature of the space in which I’m in, and about the wind and the water and the movement of the tide and the flow of the river.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

PUBLIC ART and LEED – Innovation & Design

This post comes to you from Green Public Art

continued from … PUBLIC ART and LEED – Materials & Resources and Indoor Environmental Quality

INNOVATION & DESIGN

The purpose of this LEED category is to recognize projects for innovative building features and sustainable building knowledge. Projects are allowed 5 ID points. I personally have found it challenging to convince my building PMs to use one of their ID credit points for art…its not to say that it cannot be done but usually these points are spoken for pretty quickly.

Ways to achieve ID points include:

  • Artist is a LEED-accredited professional
  • In my opinion, Educational Outreach is the easiest ID point available to any project. Basically you need to do two of the following three:
  1. make the building actively instructional – signs, displays, kiosks, etc.
  2. provide promotional materials – brochures, web sites, etc.
  3. develop an outreach plan – tours, presentations, web site, etc.
  • ID Credits are awarded for exceptional performance such as doubling the credit requirements and/or achieving the next incremental percentage threshold.
  • Credits can also be achieved for comprehensive strategies which demonstrate quantifiable environmental benefits.
  • I highly suggest reading through the ID Credit Catalog as a brainstorming exercise to see what other project have achieved.

To go back to the beginning of the PUBLIC ART and LEED conversation go here: Green Building: Where Does The Art Fit In?

ARTIST GENERATED CHECKLISTS

Chrysalis Arts Public Art Sustainability Assessment Toolkit – The Public Art Sustainability Assessment (PASA) is a set of guidelines and an assessment method being developed by Chrysalis Arts, an artist-led public art company in the UK. PASA is intended as a tool for use at any point during the development, creation, maintenance and decommissioning of a public art project.

Arts:Earth Partnership – is an official green certification for cultural facilities, art galleries, performing arts companies and individual artists. The Los Angeles based program, founded in 2006, is forming a coalition of certified artists and facilities committed to achieving environmental sustainability.

PROJECTS OF INTEREST

concept proposal for Land Art Generator Initiative (LAGI)

Climate Clock – The Climate Clock is a unique educational public art project sponsored by the City of San Jose and San Jose State University. The project challenges artists to conceptualize a 100-year public art project to help measure climate change, make the process more visible, and engage and inspire the community to personally explore and modify their individual carbon footprints. The realization of the Climate Clock landmark will be the result of combined resources from partnering organizations and private philanthropy. To date, SJSU and the City of San José have contributed more than $150,000 toward the incubation of the Climate Clock concept.

Land Art Generator Initiative (LAGI) – In 2010 the Land Art Generator Initiative, which is based in Dubai, challenged artists, architects, engineers and the like to design public art installations to continuously distribute clean energy into the electrical grid, with each having the potential to provide power to thousands of homes.

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

The Southbank re-designed with the tides in mind

This post comes to you from Ashden Directory

Ella-Marie Fowler got in touch about her BA project on sustainability, and here she describes it.

I’m a graduating student from Design for Performance (BA Hons) at Wimbledon College of Art, University of the Arts London. For my final project, I chose to focus on sustainability within theatre and how the arts can affect climate change awareness.

I designed a proposal for a Sustainable Arts Centre on the Southbank, London (pictured). The centre would provide space for visiting artists, performers and theatre companies to respond to climate change awareness. The building would be constructed from reclaimed materials and use green energy sources. Visitors to the centre would encounter different experiences throughout the day due to the changing tide of the Thames.

Last year, I visited the Jellyfish Theatre and researched art organisations such as TippingPoint through the Ashden Directory. This sparked ideas about my final year project. As a graduating student in theatre design, I wanted my work to reflect contemporary issues and consider how to develop a sustainable approach to my future work.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory