Yearly Archives: 2011

“In The Meantime”

This post comes to you from Cultura21

October 3rd, 2011
“The New School” (USA)

“In 1992 Jack Persekian founded Anadiel Gallery, the first and only independent gallery for Palestinian artists in Jerusalem. Persekian later founded the Al-Ma’mal Foundation to continue the gallery’s mission and to further promote, instigate, and disseminate the production of art in Palestine. In his talk, Persekian will share his experience – the challenges and the outcomes – of creating a space for Palestinian artists in Jerusalem. Have the methods for working in contested spaces, such as Israel, changed over the years? Does art have the potential to engage a zone of conflict in a different way than politics? Persekian was Head Curator of the Sharjah Biennial (2004–2007), Artistic Director of the Sharjah Biennial (2007–2011), and Director of the Sharjah Art Foundation (2009–2011).”

Al-Ma’mal Foundation:  www.almamalfoundation.org

The “Zones of Emergency: Artistic Interventions – Creative Responses to Conflict & Crisis” Fall 2011 lecture series investigates initiatives and modes of intervention in contested spaces, zones of conflict, or areas affected by environmental disasters. The intention is to explore whether artistic interventions can transform, disrupt or subvert current environmental, urban, political, and social conditions in critical ways. A crucial question is how can such interventions propose ideas, while at the same time respecting the local history and culture.

More information at the Zones of Emergency Blog: http://zonesofemergency.mit.edu/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Techno-Ecologies

This post comes to you from Cultura21

November 3rd – December 11th, 2011

Riga and Liepaja

“Techno-Ecologies is the theme of this year’s Art+Communication festival, the 13th edition of which will take place in Riga from November 3 – 6, 2011, featuring conference (November 4–5) and exhibition (November 4 – December 11) as well as broad programme of performances, screenings, public lectures and workshops in Riga and Liepaja, Latvia.”

“Techno-Ecologies builds upon the concerns of Felix Guattari (the French philosopher and co-conspirator of Gilles Deleuze) about the lack of an integrated perspective on the dramatic techno-scientific transformations the Earth has undergone in recent times. Guattari urges to take three crucially important ‘ecological registers’ into account: the environment, social relations, and human subjectivity.”

“Techno-Ecologies will develop a discussion between artists, theorists, designers, environmental scientists, technologists, responsible entrepreneurs and activists to develop this perspective. Diversity, social and ecological sustainability, and a much deeper understanding of technology as an extension of [their] desires are the building blocks that [they] want to bring together to build a perspective that can help [them] chart less hazardous routes into the future than the ones currently travelled.”

more info: http://rixc.lv/11/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

A + E Conference: Day Two

Day two in the coffee-and-crumpets conference world.

Patricia Johanson was a highlight. Not just because her presentation was comprehensive, wise, and dynamic. Not just because her work is ecologically restorative, respectful of local religions and cultures, and deeply rooted in community practice. Because in this field, where ideas are infectious, where doom is palpable, where the issues at hand are so huge as to be hilarious, Patricia Johanson has done the work. She’s gone out to Dallas and made a sculpture that restored a lagoon. She’s created a wetland sewage system that is both a tribute to and a habitat for an endangered species. She’s done it while continuing the dialogue both in terms of artistic form– sculpture, painting, light– and ecological relevance. Full disclosure: I asked for her autograph.

The morning started with the music of Sean Shepard— composed for the Nevada landscape. It continued through the cultural waters of Australia, tromped through Italy on Amy Franceschini’s Not A Trojan Horse, and announced the research project “Venue,” an extended journalistic road trip by Geoff Manaugh and Nicola Twilley.

On a day where MacArthur Genius fellow Jorge Pardo describes the houses he builds as not-architecture, author Bruce Sterling called for a reexamination of the definitions. “Disciplinary silos are breaking down in places like this,” he said. “You can actually hear them shattering.” What we have is not nature, he said. What we have is Next Nature, a world bereft of unaltered landscape. And the slow dawning is the sheer magnitude of the responsibility for that landscape.

The evening ended with a cocktail hour on the roof of the museum. On the one side, the mountains. Urban trees. On the other, the blinking lights of the biggest little city in the world. In a sense, Reno is the perfect setting for the destroying of silos.

AGUAZERO Call for Art

Theme:
We are inviting submissions in water-based medium on or with paper.
The competition has an environmental agenda requesting submissions to reference the contrary character of climate change. For example, increased desertification and the escalating effects of weather events such as flooding and soil erosion.
The work should be based on observation, experience and invention. It must be as involved with the process and materials of painting/drawing etc. as with the response to climate change.
We are interested in works that invite close scrutiny and, like environmental events in the world around us, reveal themselves gradually and steadily over time, prompting reaction and renewed contemplation of the ecological challenges the world faces.
Prize:
A two week residency at Cortijada Los Gázquez / Joya: arte + ecologia, Andalucía, Spain including travel costs within Europe (not accommodation while in transit). Winners from outside of Europe can have their travel expenses paid once they are within the EU.
The winner will have sole use of a thirty square meter studio and 20 hectares of land for the period. Accommodation and meals are included as is collection and return to the nearest public transport system. Resident artists will be featured on the Joya: arte + ecología web page, which will include biographical information and images. The work undertaken during the residency will also be documented and entered into our archive.

A + E Conference at the Nevada Museum of Art: Day One

Can a thing be both cuddly and epic? So far, the A + E Conference is. For while the lecture hall at the Nevada Museum of Art is intimate, folks are friendly, and there’s that slight taste of eco-art kumbaya in the air, there’s some giant figures in the room. Chris Jordan is one of them: you’ve seen his photos everywhere. The Harrisons are two more. Greenhouse Britain sums up their combination of systemic thinking and storytelling.  Fritz Haeg and his Edible Estates. Geoff Manaugh of BldgBlog. And while you might be so familiar with the work of the presenters you could have practically done their powerpoints for them, it’s still a bit dizzying. In fact, the lights went out towards the end of the day and a backup generator kicked on. They say it was lightning but I’m betting on a joyous collective mental short-circuiting.

However epic the conference, the issued raised today were not unique. They were issues that might be discussed at a conference about Climate Change and Journalism, for instance. Or a conference about Healthy Parks and Healthy People. Or about Theater and Sustainability. I kinda know because I’ve attended conferences on all those themes in the past year. The issues being raised include: how do we comprehend the vast level of ecological disaster we are now experiencing? How do we organize information in a manner that is digestible, accessible, valid and thought-provoking? How do we culturally deconstruct the paradigms that got us here– especially when we live ‘here’? How do we move forward to create a healthier population and planet?

This speaks more to the level of disciplinary blending and silo-destroying that’s happening all over. In the meantime, there’s no shortage of voices exploring answers, not here, not this weekend. There are three floors of installations and exhibits. There are new books and archives of those exhibits. And there is a whole second day of talks still. More to come, stay tuned. Should be cuddly. And epic.

Sustainable Solutions for a Fair Future talk: Maria Adebowale

The next ‘Sustainable Solutions for a Fair Future’ talk will take place on Thursday 29th September in the Arcola Tent. Our speaker this time will be:

Maria Adebowale, who is the founder and director of the environmental justice organisation: Capacity Global. She will be talking about Capacity Global and how they aim to support every ones right to a clean and healthy environment by supporting strong, diverse and multi cultural community action as well as providing innovative thinking on the opportunities for environmental justice and equality, policy, research, campaigns and legislation.

Maria was recently listed in The Independent on Sunday’s –Top 100 Environmentalists.She works on environmental justice and environmental equality policy. She has a Masters in Public International Law from SOAS, University of London. Maria is also the author of numerous publications in environmental justice and equality and the principal author of The Third Sector Climate Change Declaration. She is also the Access and Inclusion Commissioner for English Heritage, a trustee for Allavida, Matron of the Women’s Environment Network and Chair of Waterwise. She is a former Commissioner on the UK Sustainable Development Commission..

Time:  Doors open 6.15pm, starts at 6.30pm

Venue: Arcola Tent, 2 Ashwin Street, E8 3DL

Cost:  £3 (£2 concessions). Pay on the door

SSFF website: http://www.arcolaenergy.com/contribute/going-green/green-events/sustainable-solutions-for-a-fair-future/

NEW MONEY: Business Models for a Sustainable Future

a project of SEA (Social Environmental Aesthetics)
September 30-November 23, 2011
Opening Friday September 30, 2011/7-9pm

141 Eyewear, Jiasian, Taiwan Eye Clinic, Photo courtesy of Kyle Yamaguchi and 141 Eyewear

NEW YORK – Exit Art is pleased to announce NEW MONEY: Business Models for a Sustainable Future, a project of SEA (Social Environmental Aesthetics). This exhibition of videos, photographs, and socially conscious products highlights more than a dozen companies with business models that have environmental and social consciousness at their core, emphasizing sustainability and social responsibility. The companies and organizations included in the exhibit approach markets in new and innovative ways that foster cooperation, awareness, social and environmental justice, sustainability, philanthropy, stewardship, and humanitarianism.

BUSINESSES AND ORGANIZATIONS INCLUDED IN EXHIBITION:
141 Eyewear; a.d.o.; Ahkun; Amani; Ecoigo; Ecoist; Ecovative; Interface; Kiva; Microplace; Mr. Ellie Pooh; MYC4; Of Rags; Our Goods; Out of Print; Playback; Raise India; UniquEco; WeWood; Zambikes

The One for One business model is as simple as it sounds: for each good purchased, a good is donated to those in need. With this “buy one, give one” philosophy, businesses enable their consumers to give something back in a transparent manner. Unlike other charity concepts, the One for One idea incorporates a form of philanthropy directly into its business model, proving that profitability and charity don’t have to be mutually exclusive. Though this concept may seem economically risky, many One for One businesses have been successful in pinning their hopes on the consumer’s conscience and willingness to pay more for their product in order to support a cause.

Building on human rights, Fair Trade businesses aim to ensure fair wages for producers in developing countries, which enable them to cover the basics of food, shelter, clothing, education, and medical care. By doing so, Fair Trade businesses directly counter poverty, the exploitation of workers, and “race to the bottom” practices. The Fair Trade model not only fosters direct person-to-person connections between businesses and producers but also intends to strengthen communities involved in the production of their goods. Many Fair Trade businesses support cooperative systems, in which producers hold shares in the business, enjoy equal returns from the market, and contribute to the decision making process. Often, revenues are reinvested into community development projects and education and empowerment programs.

Bartering networks enable individuals to offer their own resources in exchange for things or services they need. Instead of isolated competition, this business model strengthens the power of sharing and fosters a respect for skills and service. It also establishes a system for the reuse of goods based not on their monetary value but on the individual’s appreciation and need for the product. Mutual respect and trust are therefore key elements in the bartering system. While the monetary system has made exchange infinitely easier than the difficult task of matching one person’s needs with another’s resources in a small community, the rise of the Internet has enabled bartering networks to create larger markets where it is much simpler to match trading partners.

The impact of enormous economic and population growth, urbanization, and rapid consumption have led to climate change, ozone depletion, the fouling of natural resources, and the loss of biodiversity. Businesses built around the concept of sustainability make an enduring commitment to ecological principles in order to stop this environmental exploitation. By incorporating environmentally friendly practices into their production processes, these “green” enterprises strive to have little or no negative impact on the global or local environment. Instead the aim is to establish a balanced and non-exploitative relationship with the ecosphere, in which waste is properly disposed of and harmful emissions are reduced.

The majority of formal banks provide few financial services to low-income individuals. In some countries, more than 80 percent of the population has no access to financial services, making it difficult to start a business, buy a home, or attend school. Microfinancing attempts to fill that gap, by offering a way for individuals to lend money to impoverished people in order to help with sudden needs. Average people who want to support a specific project provide micro-loans; the microfinancing organization serves as an intermediary between recipient and lender and provides accountability and transparency for the transactions. By supporting an emerging low-income business, the lender receives his or her money back with an interest rate.

Social Economy Networks are development projects that form the missing link between different types of sustainable businesses. Committed to establishing an alternative economy, these networks aim to strengthen the relationships between bartering networks, fair trade shops and socially just businesses. Whereas some Social Economy Networks function as platforms for partnerships, others share their expertise and develop business models that serve as inspiration for other enterprises. Through education programs, lectures, or trade shows, they also raise awareness about sustainable business practices and demonstrate that a social and sustainable economy is possible.

NEW MONEY: Business Models for a Sustainable Future was conceived by Wilson Duggan and organized by Lauren Rosati and Verena Straub.

ABOUT EXIT ART
Exit Art is an independent vision of contemporary culture. We are prepared toreact immediately to important issues that affect our lives. We do experimental, historical and unique presentations of aesthetic, social, political and environmental issues. We absorb cultural differences that become prototype exhibitions. We are a center for multiple disciplines. Exit Art is a 29-year-old cultural center in New York City founded by Directors Jeanette Ingberman and artist Papo Colo, that has grown from a pioneering alternative art space, into a model artistic center for the 21st century committed to supporting artists whose quality of work reflects the transformations of our culture. Exit Art is internationally recognized for its unmatched spirit of inventiveness and consistent ability to anticipate the newest trends in the culture. With a substantial reputation for curatorial innovation and depth of programming in diverse media, Exit Art is always changing.

ABOUT SEA (Social-Environmental Aesthetics)
SEA is a diverse multimedia exhibition program that addresses social and environmental concerns. It assembles artists, activists, scientists and scholars through presentations of visual art, performances, panels and lecture series that communicate international activities concerning environmental and social activism. It provides a vehicle through which the public can be made aware of socially- and environmentally-engaged work, and a forum for collaboration among artists, scientists, activists, scholars and the public. SEA functions as an initiative where individuals can join together in dialogue about issues that affect our daily lives. Conceived by Exit Art Co-Founder / Artistic Director Papo Colo.

EXHIBITION SUPPORT
General exhibition support provided by the Andy Warhol Foundation for the Visual Arts; Bloomberg LP; Jerome Foundation; Lambent Foundation; Pollock-Krasner Foundation; New York City Department of Cultural Affairs and City Council Speaker Christine C. Quinn; and public funds from the New York State Council on the Arts.

EXIT ART 475 Tenth Ave at 36th St NYC / 212-966-7745 / www.exitart.org
Open Tu–Th, 10am–6pm; Fr, 10am–8pm; Sa, 12–6pm. $5 suggested donation.