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In his preface to The Coast of Utopia, Tom Stoppard makes the point that writers can have real political influence. His example is Turgenev’sSportsman’s Sketches, which Stoppard writes, “were plausibly said to have done more than anything else to turn the ‘Reforming Tsar’ Alexander 11 towards abolishing serfdom.” But the writing has to be precise This post comes to you from EcoArtScotland Julie’s Bicycle just launched a publication, developed with the Mayor of London and Frieze Art Fair, on the visual arts. This is one of a series of ‘how to’ guides across artforms. Starting with work in 2007 that looked at the Greenhouse Gas http://vimeo.com/19396063
This post comes to you from An Arts and Ecology Notebook Image: Recording with hydrophone in Killybegs ‘We, as many others, have been concerned about the world we live in and climate change ever since we started the Bliain Le Baisteach The CSPA wants to welcome the EcoMuseum, a project of Carole Hammond, Exhibition Manager and museum professional: combining the complex ideologies of aesthetics, culture, objects, entertainment…and environment. You’ll be able to find and link back to her writing here as part of the CSPA knowledge network. Her first post is already up here: http://www.sustainablepractice.org/2011/03/09/identity-exhibition-eco-installation-begins/ This post comes to you from the EcoMuseum An exhibition, Identity: yours mine ours will launch in March 2011 at Museum Victoria‘s Immigration Museum, and is re-imagining the benchmarks of environmental sustainability in the cultural sector. After over 2 years of development, in November 2010 construction work finally began This post comes to you from An Arts and Ecology Notebook “how does data feel, taste, sound, look, smell?” Roger Malina, Leonardo, keynote speaker, Lovely Weather art and climate change conference, LetterKenny RCC, Nov 2010 I was briefly in Oxford Image: Oil & Water #6 mixed media seen in Oil & Water for One of a Kind, an exhibition of unique artist's books curated by Heide Hatry at Pierre Menard Gallery, Cambridge MA and HP Garcia Gallery, New York, NY. Trigger Point Theory as Aesthetic Activism, a workshop on restoring degraded environments March |
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