Here is an informational video that we have put together for the Wisconsin Story Project in our ongoing effort to build a company we can believe in…
EcoLabs, a network of designers and artists who are looking to create what they call “ecological literacy” has an excellent new magazine out EcoMag, which puts their ideas into practice. It’s available via as a low res download or as an online purchase for £10.
It leads off with a feature in which six artists visualise Mark Lynas’s Six Degrees. For anyone who hasn’t read it Six Degrees is about six different climate warming scenarios, each marked by a single degree increase in the earth’s temperature. This is Jody Barton’s rendition of Five Degrees. The accompanying text reads:
With five degrees of global warming, an entirely new planet is coming into being- one largely unrecognisable from the Earth we know today… Humans are herded into shrinking zones of habitability by the twin crises of drought and flood.
Earth Artists Network
Earth Artists is an interdisciplinary network of artists, focused on ecology. The coordinators of the group are based in Vancouver, British Columbia, Canada. “Earth Artists,” as defined by the Ning, “are dedicated to advocacy for art, sustainable culture, and ecology.” Lots of folks posting photos and info about their eco-artwork.
Also a network of eco-artists, this one with a curated online artist-in-residence. This Ning asks: What role can art play in transforming the current cascade of social and environmental crises? Can we develop a way to create culture, to research, learn and teach with/in ecological systems? Lively discussions and reviews in the forums.
The social network of the Center for Sustainable Practice in the Arts. Created to give CSPA affiliates a place to exchange ideas. Interesting forum discussions, plenty of events postings, also reports from conferences and of course, members posting photos of their artwork.
A conglomeration of folks interested in Somatic Experiments in Earth, Dance and Science, an interdisciplinary summer arts festival. Most recent posts include news of SEEDS t-shirts and footage of performances from the festival.
Seema Sueko from Mo’olelo invites your feedback on the latest version of the Green Theater Toolkit!
Available at http://www.tcg.org/pdfs/grants/Toolkits.pdf – be patient, it may take a moment to download.
Leave your feedback here: Think it, Do it, Blog it: Green Feedback!.
Hello Think it, Do it, Blog it readers:
We’ve posted the updated Green Theater Toolkit scorecards for Wood Products; Plastics and Foams; Metals; and Glass, Ceramics, Earthen Materials here. Please take a look and post your comments and feedback – feel free to be as direct as you wish with feedback. These scorecards arent final, so your ideas will be extremely valuable to their development. If you dont feel comfortable posting your feedback on this public blog, you can email me directly at firstname.lastname@example.org please write “Green Theater Toolkit” in the subject line.
Some questions for you to consider:
1) Do you understand the charts below?
2) Is any of this useful for your theater-making process?
3) Are there any materials you wish were on the list; or anything you wish were not on the list?
4) Are there any surprises for you on this list?Thanks for taking the time to contribute to this project!
Mo`olelo Performing Arts Company
This is A.T.R.E.E.M (Automated Tree-Rental for Emission Encaging Machine) by Nitipak Samsen, a student at the Design Interactions course at the RCA in London. Samsen’s artwork is a satire on the notion of carbon credits: by measuring the girth of the tree, this meter purports to measure carbon the tree is capturing over its lifetime. “Carbon credit brings the ‘convenience’ back to the ‘inconvenient truth’,” announces Samsen, enthusiastically on his website.
Thanks to Groundswellblog.
The August 2009 Newsletter is now out. You can check it out here:
Interesting use found for the downturn in consumerism. Via Eyeteeth who writes:
Toronto residents Eric Cheung and Sean Martindale have devised a way to cut advertising posterboards to make cone-shaped, in situ flowerpots. Martindale tells Torontoist that the duo is “activating public space,” introducing nature “to the urban environment in ways that might encourage others to do the same, or to at least consider such possibilities.” To that end, they’ve made the design of their templates available under Creative Commons license.
This morning I was handed a flier by a nice man standing outside Brighton station: “Vestas Workers fight to defend their jobs and the environment.” Featured on it, that photo of the two workers clenching fists above the banner that reads, “Forced to occupy to save our jobs.” An old blogging colleague of mine Justin aka Chicken Yoghurt was at the Isle of Wight yesterday and took the photo above.
Three points to make:
One. This is a pivotal protest that’s not going to go away in a hurry. It’s about the gap in what the government say they’re going to do – Ed Miliband’s fine white paper and the 2008 Climate Bill – and the absence of any real infrastructure to achieve those carbon goals. It’s about how the most substantial part of Gordon Brown’s “green recovery” plan has been the looking-glass scheme to scrap cars before they need to be scrapped. Vestas is closing because of “lack of demand”. It is absurd that, at this late stage, there is lack of demand. To blame that lack of demand on Conservative councils turning down planning applications for wind turbines as Ed Miliband does in his response to LabourList’s Alex Smith is the “dog ate my homework excuse” – a silly attempt to turn this into a divisive party political issue.
Two. This protest has to watch out it doesn’t unfold to a dangerous script. The lockout has quickly turned it into a workers versus employers dispute, in the mould of Grunwick and Wapping. Not only do those disputes traditionally end very badly, but this script kind of misses the point. However poorly the employers may have acted towards the workers, and their contradictory statements that they’re closing for “lack of demand” and that the factory makes “the wrong type of blade” for Britain indicates a certain slipperiness, they too are victims of the government’s failure to support demand for renewables. This should be about how the goverment needs to pull its finger out.
Three. Last year’s meeting between the National Union of Miners and Climate Camp protestors showed how far adrift most eco-protestors were from workplace politics and how little they understood the more old-school union levers of power. This is a chance to learn how to build bridges instead of burning them.
Shai Zakai, Forest Tunes | The Library
Exhibition & Catalogue
Shai Zakai, eco-artist, photographer, founder and director of the Israeli Forum for Ecological Art
Touring Exhibition opportunity in UK
The tour is coordinated in partnership with the Centre for Contemporary Art and the Natural World (CCANW). Parts of the exhibition have shown in Israel, Korea, United States, and Japan. See http://www.jewishexponent.com/article/17614/ for information regarding its latest US showing.
It will be shown at CCANW from 10 October – 22 November 09 and Shai will be lecturing in Falmouth, Plymouth and Totnes. It is supported by BI ARTS, the British-Israeli Arts training scheme.
From end of November 2009, the project is available as a temporary or permanent installation in the UK. It will be adapted for each venue by the artist and/or co-designer, Eran Spitzer. Shai is also available for lectures and public workshops.
Artist’s statement and exhibition description (abstract)
After a thirteen year journey to record some of the imprint of humankind on the environment with leaves, stories, and photographs, the project is drawing to a close. It has created 170 up-cycled boxes, containing organic material from nineteen countries.
The project is a visual, yet restrained, warning. It is a place to contemplate on human nature, while using most of our senses – touch, smell, sight, and sound – simultaneously. The multi-media installation is an observatory and a collection of mostly damaged nature, highlighting the daily effects of global warming set in motion by human beings, i.e., the loss of biodiversity, deforestation, human indifference.
In the exhibition, visitors are invited to leaf through boxes from Japan; Australia; Cyprus; Kirgizstan; India; Israel among others; to read the texts inside each box; and to ponder on the species that we are destroying unthinkingly. If this irresponsible behavior toward our environment continues, it will be possible to visit the leaf library and be reminded how nature used to look.
About the artist
Shai Zakai, a photographer and ecological artist, is author of the book Faces and Facet (Portrait of a Woman) and the project Concrete Creek 1999-2002 – in which reclamation of a stream functions as an artistic creation. She is the director/ founder of the Israeli Forum for Ecological Art, and holds an MA in Art and Environmental Policy. She has shown in more than sixty exhibitions in museums and galleries in Israel and throughout the world. Her works are to be found in both private and museum collections. She has represented Israel in art and environment exhibitions and symposia in Africa, Japan, Italy, China, Korea and the United States. She is a guest lecturer and curator as well as a consultant for ecological public projects, and organizations for the development of creative environmental leadership.
All enquiries about the exhibition:
Clive Adams, Director
Haldon Forest Park
Exeter EX6 7XR
Go to RSA Arts & Ecology