| July 17th, 2009 | Sequelism Pt 3: Possible, Probable or Preferable Futures opens this weekend at the Arnolfini in Bristol featuring work by Heman Chong, Haegue Mariana Castillo Deball, Graham Gussin, Victor Man, Francesc Ruiz, Jordan Wolfson and Haegue Yang, with events by Neil Cummings & Marysia
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| July 17th, 2009 | Transition Town innovator Rob Hopkins noted that Ed Miliband used the notion of “transition towns” a lynchpin concept in the launch of his White Paper on Energy and Climate Change Policy. Determined to discover whether his movement
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| July 17th, 2009 | Land Art Initiative Emerges in United Arab EmiratesA new initiative in the United Arab Emirates aims to embed land/ecological art installations across the region, continuously distributing clean energy into the electrical grid. The intent of the Land Art Generator Initiative LAGI is that each land art sculpture will have the potential to provide power to
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| July 16th, 2009 |
Joel Shapiro and Justin Yoffe, co-founders of Arts:Earth Partnership
About seventy people gathered on Friday, June 26th at the Santa Monica Museum of Art in Bergamot Station to celebrate the launch of a new organization that uses only one color in its visionary design: green. The kind of green that speaks to fresh
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| July 16th, 2009 | I like this flickr photo Fustav Metzger’s Flailing Trees at the Manchester International Festival by Pete Birkinshaw aka BinaryApe, especially for the title BinaryApe gave it: Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!
That reference, along with his link to Wikipedia, confirms him to be …
Go to RSA
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| July 15th, 2009 | One of my favorite poets, Drew Dellinger, has reached Congress through the raw beauty and strength of his words. Click here to see Congresswoman Tammy Baldwin refer to Drew’s poem in aid of Al Gore describing our responsibility to our future grandchildren as it relates to climate change.
Go to
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| July 15th, 2009 | Radical Nature’s The Dalston Mill project
Madeleine Bunting’s article on the role of arts in changing perceptions about the environment kicks off by looking at Radical Nature’s The Dalston Mill project, and discusses new work Gustav Metzger and new thoughts from Tim Smit and gives a very warmly appreciated nod to the RSA Arts
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| July 14th, 2009 |
Tim Smit
We know how serious things are. So why doesn’t everyone agree with us? Despite Tim Smit’s “scream from the future”, attitude change is agonisingly slow.
It’s tough to admit that activists have clearly alienated a lot of the middle ground – the middle ground that needs to change behaviour the most.
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| July 14th, 2009 | http://vimeo.com/moogaloo
EXYZT | The Dalston Mill from RSA Arts & Ecology on Vimeo.
EXYZT | The Dalston Mill from RSA Arts & Ecology on Vimeo.
Radical Nature curator Francesco Manacorda and EXYZT architect Nicolas Henninger on the site of The Dalston Mill during the installation.
Go to RSA Arts & Ecology
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| July 13th, 2009 |
There have been some blips and blurps over the past few weeks on the greenmuseum blog as we settle into this new, fancy-pants version of WordPress. It didn’t like our old theme. So we changed to this one. It’s Green. To mark the occasion, here’s a link to an excellent
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Welcome to the CSPA Quarterly Issue 6 now available
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Sustainability in Theater
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