The Kresge Foundation has announced that it will be folding its Green Building Initiative into its existing Environment Program. Whether this was due to a downturn in funding, management consolidation, or a feeling that their efforts were being duplicated by other foundations is unknown. However, funds will remain available for theaters seeking to rebuild
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Okay, so I can’t keep my nose out of it… I’m here in beautiful Eugene, Oregon attending the 2009 Earth Matters on Stage: A Symposium on Theatre & Ecology at the University of Oregon. Last night was the official beginning of the event with keynote speaker Una Chaudhuri giving a talk on what Under this clean white exterior I’m a right dirty beach 2009 by Chloe Hanks – part of Dirty Beach @ Cafe Delice Brighton by artists Chloe Hanks and Lou McCurdy.
Ciara Ennis, Director/Curator of Pitzer Art Galleries in Pomona, has organized an oddly cool and thoughtful grouping of artists at 18th Street Complex in Santa Monica entitled 2019: CULTS, COLLECTIVES & COCOONING. The show includes some ecoartspace favorites like Fallen Fruit and Machine Project, Joel Tauber (in ecologic at White Light’s Green Guide promises to be an exceptionally useful guide to theater managers, technicians, and designers looking to reduce their environmental footprint while decreasing energy usage. Details below. Reprinted from Lighting & Sound America, April 16, 2009: The U.K.-based entertainment lighting supplier White Light announces the release of the White Light Green The extraordinary poetic collaboration Dialogue between the body and the soul by John Kinsella and Melanie Challenger is reaching a kind of crescendo. It’s a work exploring our reluctance to face the consequences of our lifestyles – in particular the consequences of air travel. The poets are using what turns out to be a There’s been a buzz of eco-art activity out here in the SF Bay Area that I’ve been meaning to shout-out, Matt Merkel-Hess-style. It’s good work, and yes. Here we go. First off: the amazing ladies at ecoartspace put together an inaugural exhibit for Art “I wasn’t green, but I’m organized,” says Wicked Company Manager Susan Sampliner. ”I’m a manager.” When Sampliner signed on to the Stephen Schwartz musical in 2003, little did she know that environmental thinking would become an integral part of her work in the arts. But the term ‘carbon footprint’, alongside terms like ‘places’ and Caleb Klaces writes: Frank Hurley, official photographer of Shackleton’s 1914-16 Antarctic expedition, went to great lengths to get the photographs he wanted. After the rescue and return home of the expedition members, Hurley went back to try and follow the route Shackleton and two other men had taken on foot across South Georgia to |
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