Review: Environment 2.0 @ Futuresonic

http://vimeo.com/user1428

 

Review: Environment 2.0 @ Futuresonic from RSA Arts & Ecology on Vimeo.

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Theater Matters – notes from EMOS 2009 Part III

Today has been a bit slow at EMOS for me. I did attend the 2pm matinee of the University of Oregon’s student production of Metamorphoses in the Robinson Theatre, however, and even though I happened to see the Tony-award winning Broadway production in 2002, I was mightily impressed with the production here. It

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Three Years Later: Portland Center Stage and the Gerding

“Will we have to put salmon runs in the lobby?” asked Artistic Director Chris Coleman, somewhat facetiously, when first confronted with the idea that the new theater he and then-Project Manager Creon Thorne had envisioned would be required to be a green one.  I met Thorne in early March in the lobby of [read more]

More on Robin McKie’s article from The Observer

Well we have to be doing something right, because McKie’s article got this response from factually wayward Daily Telegraph young fogey James Delingpole, lambasting “eco-luvvies”. It’s a conspiracy! froths Delingpole: What Cape Farewell does brilliantly, Delingpole fulminates, is breed wave after wave of high profile propagandists for the authorised Al … Go to

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“Global warming is as much a cultural problem as a scientific or political one…”

Robin McKie, science journalist for The Observer, has been to see Steve Waters’ The Contingency Plan, and has noticed that that there is something significant happening across the arts: Until now, scientists, journalists and politicians have dominated the debate about the threat of greenhouse warming. Many have fought well and brought … Go

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Rocking some Fungus

Kaap’ren Varen by the 1970s Dutch folk/rock band Fungus. I love the name…but I was really hoping to find an online version of their song Langbonken/Mieghimmels. Anyway, enjoy—this track is good too!

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May 21-31: Earth Matters on Stage, Eugene, OR

The mission of Earth Matters on Stage is to nurture connection and collaboration among artists and scholars who share an ecological sensibility.   The purpose of the Ecodrama Festival is to nurture and inspire new and innovative dramatic work that explores our ecological condition; then to showcase the best work through collaborative workshops

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Theater Matters – Notes from EMOS 2009 Part II

It’s 11am where I’m from (9am here on the west coast), and I just woke up. The schedule so far this weekend for EMOS coupled with my determination to get everywhere on a bike while I’m here has added up to the biggest physical challenge I’ve undertaken since my chemo and surgery. At about

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Chantal Bilodeau

Chantal Bilodeau is a playwright and translator originally from Montreal, Canada. Her plays include Pleasure & Pain (Magic Theatre; Foro La Gruta and Teatro La Capilla, Mexico City), The Motherline (Ohio University; University of Miami), Tagged (Ohio University; Alleyway Theatre), as well as several shorts that have been presented by Brass Tacks Theatre, City Theatre Company, The Met

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Otis Connects with the San Joaquin Valley

This is an awesome community arts project that connects graduate students in the Social Practice program at Otis College of Art and Design with the rural agricultural area of Laton, California. Initiated by Suzanne Lacy who grew up in the San Joaquin Valley. For more information go to https://wikis.otis.edu/sjv/index.php/Welcome!_Bienvenidos!_Bem-vindo!

The very first Social Practice program

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