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This via Pruned, (which possibly does itself a disservice by calling itself merely a landscape architecture blog): Picture caption: (According to the Brookings Institution, “beneath this concrete dome on Runit Island, part of Enewetak Atoll, built between 1977 and 1980 at a cost of about $239 million, lie 111,000 cubic yards Natalie Jeremijenko, Phillip Galanter, Robert Harriss, Helen Lessick and Amy Balkin in conversation at SOSHouston.org Finding a venue for both indoor and outdoor art installations, where foot traffic is high, is an art and nature curator’s dream. Last fall, a start up organization called Art at the Cheese Factory, invited me to guest curator the inaugural show at an historic cheese factory in Marin County, 45 minutes North of This Saturday from 8.30pm to 9.30pm is Earth Hour. All over the world people will switch off their lights for sixty minutes. Public institutions worldwide will go dark. Myself, I’m going round to my friend Paul’s house where we will eat dinner in candlelight. Paul has to take part, of course; For its 2010 exhibition year, 18th Street Arts Center in Santa Monica, Calif., is seeking proposals that address a common theme: the status of L.A.s creative economy. Ben Street at Art21 | Blog is among those who sneer at Antony Gormley’s One And Other, the sculpture which will be installed on the Fourth Plinth from July 4. The piece consists of 2400 members of the public standing on the fourth plinth, one at a time. Volunteers submit their names to the One The second Manchester International Festival released its 2009 programme this week. It’s turning into the the best multi-platform arts festival in the UK – but then the size of its budget – a whopping £10m this year – probably helps with that. That said, they’re making great artistic decisions. While the Edinburgh On Sunday February 22nd, Amy participated on a panel discussion, Art in the 21st Century- Expanding the Artist’s Role. The other panelists included Joseph Meisel from the Mellon Foundation; Beth Wilson, art critic and history professor at SUNY New Paltz and Brian Wallace, Curator at the Dorsky Museum. The panel was |
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