Rising Tide Conference, San Francisco: April 17th – 19th, 2009

The Rising Tide conference is a series of topically organized panels, seminars, and roundtable discussions, bringing together creative professionals, scholars and students to engage in conversations and debates about the intersections of ethics, aesthetics, and environmentalism.

The event includes panelsexhibitionsfilm screenings and satellite events. Rising Tide is jointly hosted by California College of the Arts,

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Announcements, news, etc….

We have had a busy past few weeks (and months). Ecologic, Terroir, Habitat for Artists and Out of the Blue, have all opened since January. This week I’ve had a little bit of down time while working on ecoartspace NYC benefit ideas (stay tuned for more info about this) and wanted

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How to Save the World: Environmental Health Clinic

There’s a fun exhibit that just closed in the Netherlands called How to Save the World in 10 Days. Rather than instantly transforming our planet to a heavenly glowing utopia, the festival instead presented an overview of worldwide cultural and artistic efforts to defend the planet from impending doom.

The artworks ranged from bikes

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The Fourth Plinth: a call to artists

This is my blatant call to artists to use the Fourth Plinth – particularly with respect to bringing fresh ways of exploring social issues in what you could argue is the country’s most central space of debate – Trafalgar Square. I’m not at all sure I want to see myself as

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Sasha Dela: Efficacy and Practice

Sasha Dela at SOSHouston.org

Lisa D’Amour at SOS Houston

Lisa is talking shop at SOSHouston.org

Fritz Haeg: Welcoming the Wild

Fritz Haeg is Welcoming the Wild at SOSHouston.org

Lisa D’Amour: How to Build a Forest

In progress at SOSHouston.org

Liz Ward on Painting the Wasteland

Right now at SOSHouston.org

T S Eliot prizewinner Jen Hadfield on RSA Arts & Ecology

I’ve posted an interview with the poet Jen Hadfield up on the main site. I’ll admit I hadn’t even heard of her until she won the T S Eliot Award a few weeks ago, but Nigh-No-Place turns out to be really great for its vivid, unruly, close-up-view poems about life in the

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